Tuesday, April 20, 2010

Photo floating

Do you know weeds and flowers
are actually aerials and wires
words across the oceans
through the wind, the drizzle
and the whiff of fragrant

"shh -" silence







If a photo froze a moment to eternity
and i gave my passion in this moment
when i left it on the road
would someone pick up my passion eternally?

Wednesday, April 07, 2010

Copy

Got that magic copy of nme but what grabbed my eyes was the gig review about Suede. A pen is of course mightier than a sword. They probably have the power to build you up and knock you down, and then build you up again?

"Suede will never lead beery sinalongs at Glastonbury. They'll never have hubristic documentaries made about their reformation. This certainly isn't for the money. It's more personal than that because, for Suede, we're all part of the gang too... Suede were and are for misfits and lovers, obsessives and fuckers. Suede were and are romantic, preposterous, glamorous, decadent, political, arrogant, and brash; everything a band should be, and so, so few are: just trash, you and me; the lovers on the street."

I wish I could be that articulate.

About the beloved likely lads, I was wrong to anticipate the interview would be as emotional as that of the Tap n' Tin reunion. Love still flowed between gaze and smile, but in a much controlled way. They are more mature now, no more outburst of uncontrolled passion, not everything must be shown in front of the cameras.

I like that peter liked the second dirty pretty album album cos' it's really an underrated good album and he did listen to the songs of his ex, i mean his ex-bandmate (or present/future bandmate?)

I don't like that carlos felt so avoidance and dismay when mentioning Anthony Rossomando, though it was surely embarrassing or even sour to mention stan in front of peter. When asked about the view of babyshambles, peter replied "I don't know about adam."

there is no fairness in all kind of relationship.